|
1903 |
Born December 4th,
New York City. |
|
1915-26 |
Educated in New York
City at De Witt Clinton High School, and City
College, B.S.S. in Literature. |
|
1929 |
Marries Sidonie
Glaller; gets his first camera as a honeymoon gift. |
|
1926-47 |
English instructor
in New York City public school system. |
|
1932-35 |
Active in the New
York Workers' Film and Photo League. Buys a Voigtlander Avus. |
|
1936-41 |
Active in the
reorganized New York Photo
League. Established the Feature Group, a documentary production
unit, as part of the Photo
League School. Produced
group and independent photo-series including: The Catholic Worker
Movement; Dead End: The Bowery; The End of City Repertory Theatre; The
Harlem Document; Lost Generation: The Plight of Youth Today; The Most
Crowded Block in the World; Park Avenue: North and South; Sixteenth
Street: A Cross-section of New York; and Tabernacle City. |
|
1940 |
Published "The
Feature Group" in Photo Notes. |
|
1943-44 |
Created increasingly
symbolic and abstract photographs based on discarded and found objects
on Martha's Vineyard and in Gloucester, Massachusetts. |
|
1945 |
Published "The Drama
of Objects" in Minicam Photography. Established close and
enduring ties to the artists of the New York
School. |
|
1947-49 |
Taught photography
at Trenton Junior College, Trenton, New Jersey. |
|
1947-51 |
Exhibited regularly
at Charles Egan Gallery. Elaine de Kooning wrote "The Photographs of
Aaron Siskind" as the introduction to a 1951 exhibition of Siskind's
photographs at the gallery. |
|
1950 |
Wrote "Credo" as an
artist's statement for a symposium titled "What is Modern Photography?",
organized by Edward Steichen at the Museum of
Modern Art, New York City. |
|
1951 |
Taught with Harry
Callahan during the summer at Black
Mountain College. |
|
1951-71 |
At the invitation of
Harry Callahan, Siskind joined the faculty of the Institute of
Design, Illinois Institute of Technology,
Chicago. He was Professor of Photography
until 1959, when he became Director of the Photographic Department. He
led and participated in advanced student projects including: Apartment
interiors of the Mies van der Rohe Lake Shore Drive Skyscrapers, A
Chicago Settlement House, The Chicago Housing Authority, The Complete
Architecture of Adler and Sullivan (also called the Louis Sullivan
project), Details of the Human Body, The Park System of Chicago, and The
Series Form.
Travels in Greece
and Rome. |
|
1956 |
With Harry Callahan,
published "Learning Photography at the Institute of
Design", in Aperture. |
|
1959 |
Publication of his
first book. |
|
1960-70 |
Co-editor of
Choice Magazine. |
|
1963-64 |
Founder-member of
the Society for Photographic Education.
Board member,
Gallery of Contemporary Art, Chicago. |
|
1966-83 |
Receives numerous
awards including: Guggenheim Foundation Fellowship, Gold Star of Merit
award from Philadelphia College of Art, an NEA grant, and the Governer's
Prize for the Arts, Rhode Island. |
|
1969 |
Founding member of
the Visual Studies Workshop,
Rochester. |
|
1971-76 |
Taught photography
with Harry Callahan at Rhode Island School of Design, Providence. |
|
1971-1991
|
An established
master, Siskind continues to make photographs and was published and
exhibited widely. |
|
1984 |
Incorporated an
eponymous foundation that is set up to inherit his vintage photographs,
the income from which he mandates be used in support of contemporary
photography. |
|
1991 |
Died in Providence
RI, February 8, 1991 at 87 years old. |